Lorraine Wild is a Los
Angeles - Based graphic artist, writer, art historian, and teacher. She was
born in Ontario Canada. Wild attended the Cranbrook Academy of Art in 1973. In
1975 she received her BFA and two years later she went to work for Vignelli
Associates from 1977 – 1998. Vignelli’s interest in post-WW II American graphic
design led her to further studying at Yale University where she earned an MFA
degree in 1982 while at Yale she designed Perspecta 19, which was Yale’s architectural
journal. Wild also designed the Chamber Works and Theatrum Mundi portfolios for
the architect Daniel Libeskind, and the book of architect John Hedjuduk entitled, Mask of Medusa in1985.It was her designs of these books that gave her the reputation
of thoughtful and distinctive designs, in books on architecture.
Wild's MFA thesis title “Trends in American Graphic
Design: 1930-1955” Was recognized as an important contribution to design
scholarship and led to many commissions for essays. Wild’s work continued to grow earning her national identification. During Wild’s teaching at the
University of Houston she wrote the influential essay “More Than A Few
questions about Graphic Design Education” (1983), first published in The Design Journal. In the article, she
gives a provocative analysis which was attributed to the changes in graphic design in the United States.
Wild is a pioneer of change it was that article that led to her being hired as
graphic design program director at the California Institute of the Arts in
Valencia in 1985. During her time as director, she was recognized for implementing
a new model for graphic design education. The program confronted graphic design
methodology by inspiring students to use personal and emotional experiences to
their work.
In
1988, Liz McQuiston selected Lorraine Wild as one of forty-three women in six
countries whose work is innovative or has had a significant impact in their
chosen fields of design. The other American graphic designers included
Jacqueline Casey, Muriel Cooper, June
April Greiman, June Fraser, Katherine McCoy She continued to stay on the Cal Arts
faculty after she stepped down as program director in 1999.


It is interesting that her MFA research opened professional doors for her so quickly...
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